Thursday, November 6, 2014

Some People of Interest

In the last post, you read a brief description about the culture that created the steel pan.  This time you'll hear about three people that helped innovate, improve, and revolutionize the pan and its music.

Ellie Mannette (1926- )

Ellie Mannette is one of the biggest names in the steel pan community, and many consider him the “father of the modern steel pan.”  He contributed a great number of improvements to the instrument that are still used today.

In 1946 Ellie was actually the first person to “sink” the oil drum to give it a concave shape.  This very idea opened many doors for other builders and tuners to do some much more with the metal than they ever thought.  He is also credited with invented he designs for many pans including the double seconds, double guitars, triple cellos, and tenor bass.

In 1963, he came to the US to help develop the US Navy Steel Band program, and in the early 90s, he became artist-in-resident at West Virginia University.  Here, he created Mannette Steel Drums Ltd., which not only manufactures pans but trains tuners and builders.  Even at the age of 88, he is still working at WVU tuning and training.



Ray Holman (1944- )

All the music played for the Panorama competition came from songs from the radio—either a song a steel band had previously recorded or from a popular calypso song.  That is until 1971 when Ray Holman composed a song for the Panorama competition that had never been heard before.

While this feat sounds like something to be praised at the time, it actually created an outcry from many people and some even threatened with violence if his song won the competition.  For many outside of his band, they saw it as his ego being too big for wanting to put his own music in Panorama.  For those in his band, they were unsure if this would benefit them. All the other bands were performing songs that were already known and had a better chance of getting higher scores because of the judges’ familiarity with the songs.

Despite all this, Ray went boldly with his decision for his band Starlift to play his song “Pan on the Move.”  He felt Panorama should be a forum for everything steel pan, including introducing new music.  Even with all the uncertainty and unfamiliarity with the song, they ended up winning 3rd place that year.

Ray has arranged and composed many songs that have lead different bands to win various competitions around the world.  Thanks to his contribution to the pan’s music, original songs—now know as "own songs"— are becoming more commonplace.




While Kitchener has no direct connections with the steel pan or steel bands, he had strong ties and allegiances to them and was pivotal to the steel band movement.  He was a very highly regarded calypso artist in Trinidad, and his compositions had the most influence over the music of the steel pan in the early years.  Thanks to his compositions of “pan calypsos”—music he wrote in mind for steel bands to rearrange for the instrument—the steel pan was seen as more than the instrument of vagabonds.



Bibliography:
Blake, F.I.R. (1995). The Trinidad and Tobago Steel Pan. Molins de Rei, Spain: Gràfiques 85.
Rogers, L. (n.d.). Elliot "Ellie" Mannette.  Retrieved from
Sten, L. (n.d.). Ray Holman:Panman on the Move.  Retrieved from
Lord Kitchener.  Retrieved from
             http://www.trinisoca.com/calypsonians/Kitchener.html
image of Aldwyn “Lord Kitchener” Roberts retrieved from

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